These scene numbers serve as mile-post markers in a script. In a shooting script, the slug lines are numbered consecutively. Scene numberingĮach slug line begins a new scene.
Mikey keeps playing his guitar, but his attention's not on the band. In the example below a writer could convey all that's needed in standard lines of action, but the secondary slugs really help delineate the action when there's a lot going on in a busy environment.Ĭouples dance to the band. The more common use of secondary slugs is to shift attention to a new area or character within a large single location. Most writers would assign each new location its own scene heading. Then a secondary heading can be used to indicate that the action is moving to a new location within the house. The master scene heading can give the general location:
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These offshoots of slug lines allow the writer to shift the action without the waste of space of a full heading. FEDERATION BATTLESHIP - HANGAR BAY - SPACE For example, 'Space' can be used in place of the time of day if the scene doesn't take place on a planet:ĮXT.
These variations are used only when they are needed, such as when photos are shown, and sometimes when computer or television screens are shown.Īnother variation occurs when a scene takes place in an unusual location. The slug line in this instance is merely HEADSHOT, which leads into the action line (which is the 'of Tobias in newspaper' part). One slug line used in the pilot for Arrested Development reads : Here are some examples of slug lines that show how all the parts fit together. 'Later' can be used to indicate the passage of time. If a character starts inside, and then walks outside during a scene, a new slug line will be needed, but in this slug line, 'Continuous' will be written instead. For example, if a particular scene requires a sunrise, Dawn can be used. Day or Night are normally used, but Dusk, Dawn, Late Night, Early Morning and others can be used if necessary. Part three refers to the time of the scene. Finally another space hyphen space separates part two from part three. For example: SARAH'S APARTMENT - KITCHEN. If the location needs to be more specific, then a space hyphen space can occur, followed by the more specific place.
Part two states the location of the scene, such as JERRY'S APARTMENT, JANE'S CAR, or RESTROOM. In the interest of brevity, the writer may choose to use INT./EXT. Sometimes the action may move from interior to exterior several times within a scene. A period always follows each abbreviation. It’s important to get into the habit of including only what’s necessary to tell your story and only sparingly using elements that stray from what’s considered “the writer’s role” in the production process.Part one states if the scene is set inside (interior) or outside (exterior). It’s amazing, really, how efficient a well-written script makes the production process.Ī lot of this efficiency comes from good writing practices. It unifies a production team: with it, actors can learn their lines, sound engineers can source background noises, animal wranglers can determine how many dogs are needed for that one scene that takes place at a puppy playground – and so much more. Let’s get into the nitty-gritty, shall we?Ī screenplay is a technical document that exists at the intersection of art and functionality. This means you can focus more on your ideas with less headache about their execution.īut enough about us.
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F ormatting guidelines are built into all our templates and the software allows you to move from Scene to Action to Dialogue with a single button on your keyboard. All movements that take place on a script’s pages should be as clear as INT. It shouldn’t take a bucketload of mental energy to read a screenplay.
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